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I am using this term to suggest that there can be more to a silent self than the effect of a censor’s power to control or extinguish speech. What seek to show is that these occasions are moments of what I wish to call agentive silence. And during the periodic mass mobilisations known as phong trào (“movements”) the streets are also adorned with gold-on-crimson slogan banners exalting the Communist Party-state and the everlasting truths of socialism.ģThe puzzle addressed in this article is why my attempts to use these seemingly anodyne tools of public moralising as talking points have so often made my voluble Hanoi friends fall unexpectedly silent, or at best uncharacteristically monosyllabic.
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These commonly include a teacher, doctor, and soldier, plus Party members of the future in the guise of happy schoolchildren in the garb of the Hồ Chí Minh Young Pioneer Youth League ( Đ ội Thiếu niên Tiền phong Hồ Chí Minh). Equally pervasive are the smiling features of President Hồ Chí Minh (1890–1969), the nation’s revolutionary founding father.
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Their cartoon-like graphics still give prominence to the hammer and sickle, and to its personifications as a helmeted male worker and rice-bearing female tiller of the soil, often grouped with other producer-citizen archetypes. So too do expressions of enthusiastic state support for the country’s 25-year process of world market “integration” ( hội nhập), a term used particularly for investment and aid packages brokered with South Korea and the other big Asian powerhouse economies.ĢYet the city’s thoroughfares and building façades are also regularly festooned with giant message posters that are resolutely socialist in verbal and visual style. The logos of Coke and KFC pervade the city’s traffic-choked streets and public spaces. In today’s age of rapid marketisation, known officially as Renovation/Renewal ( Đ ổi Mới), the emblems of global consumerism are perpetually in view. 1Vietnam’s vibrant capital Hanoi is a city of spectacular public iconography.